MELBOURNE ART ASSIST

POEM (With Insistence on Plurality), 2015

Gertrude Glasshouse, Collingwood, Vic, Australia

Image courtesy of the artist

[Assisted with plasma screen trolleys]

Helen Grogan website

POEM (With Insistence on Plurality), 2015

Gertrude Glasshouse, Collingwood, Vic, Australia

Image courtesy of the artist

[Assisted with plasma screen trolleys]

Helen Grogan website

A Performance-Installation by Katie Lee

Temporal Proximities, 2019

An exhibition curated by Kelli Alred.

Abbotsford Convent, Magdalen Laundries

Choreography: Katie Lee and Arabella Frahn-Starkie

Performance by: Katie Lee and Arabella Frahn-Starkie.
Invigilator/Performance by: Zoe Bethell, Luke Fryer, Anika De Ruyter, Nia Johnson, Simone Nelson, Oonagh Slater and Camille Thomas.

Lighting: Andrew Sainsbury

Costume: Andrew Treloar

[Assisted with the art installation]

Katie Lee website

A Performance-Installation by Katie Lee

Temporal Proximities, 2019

An exhibition curated by Kelli Alred.

Abbotsford Convent, Magdalen Laundries

Choreography: Katie Lee and Arabella Frahn-Starkie

Performance by: Katie Lee and Arabella Frahn-Starkie.
Invigilator/Performance by: Zoe Bethell, Luke Fryer, Anika De Ruyter, Nia Johnson, Simone Nelson, Oonagh Slater and Camille Thomas.

Lighting: Andrew Sainsbury

Costume: Andrew Treloar

[Assisted with the art installation]

Katie Lee website

A Performance-Installation by Katie Lee

Temporal Proximities, 2019

An exhibition curated by Kelli Alred.

Abbotsford Convent, Magdalen Laundries

Choreography: Katie Lee and Arabella Frahn-Starkie

Performance by: Katie Lee and Arabella Frahn-Starkie.
Invigilator/Performance by: Zoe Bethell, Luke Fryer, Anika De Ruyter, Nia Johnson, Simone Nelson, Oonagh Slater and Camille Thomas.

Lighting: Andrew Sainsbury

Costume: Andrew Treloar

[Assisted with the art installation]

Katie Lee website

An installation by S.J Norman

Abbotsford Convent, Magdalen Laundries

White clothes are washed by hand with water from the Birrung River. As the clothes are hung out to dry, they intercept the beam of a projector, forming an unstable projection surface for a loop of hand-inscribed slides which list the names, dates and locations of every documented massacre of Aboriginal people in Australia’s colonial history. These information include official records, as well as oral accounts. As the slides tick over, the shadows and distortions caused by these objects cause the text to refract in and out of legibility.

Performed by Mykaela Saunders.

[Assisted with the installation suspension]

An installation by S.J Norman

Abbotsford Convent, Magdalen Laundries

White clothes are washed by hand with water from the Birrung River. As the clothes are hung out to dry, they intercept the beam of a projector, forming an unstable projection surface for a loop of hand-inscribed slides which list the names, dates and locations of every documented massacre of Aboriginal people in Australia’s colonial history. These information include official records, as well as oral accounts. As the slides tick over, the shadows and distortions caused by these objects cause the text to refract in and out of legibility.

Performed by Mykaela Saunders.

[Assisted with the installation suspension]

An installation by S.J Norman

Abbotsford Convent, Magdalen Laundries

White clothes are washed by hand with water from the Birrung River. As the clothes are hung out to dry, they intercept the beam of a projector, forming an unstable projection surface for a loop of hand-inscribed slides which list the names, dates and locations of every documented massacre of Aboriginal people in Australia’s colonial history. These information include official records, as well as oral accounts. As the slides tick over, the shadows and distortions caused by these objects cause the text to refract in and out of legibility.

Performed by Mykaela Saunders.

[Assisted with the installation suspension]

Falling Into the Sky, 2015

Steel, rope, concrete

Anna Pappas Gallery, Prahan, Melbourne, Vic, Australia

[Assisted with installation]

Betra Fraval website

Falling Into the Sky, 2015

Steel, rope, concrete

Anna Pappas Gallery, Prahan, Melbourne, Vic, Australia

[Assisted with installation]

Betra Fraval website

Falling Into the Sky (Detail), 2015

Steel, rope, concrete

Anna Pappas Gallery, Prahan, Melbourne, Vic, Australia

[Assisted with installation]

Betra Fraval website

Family Fantasy, 2015

Seventh Gallery, Collingwood, Vic, Australia

[Assisted with steel structure]

Claudia Phares website

Family Fantasy, 2015

Seventh Gallery, Collingwood, Vic, Australia

[Assisted with steel structure]

Claudia Phares website

The situation we’re in, 2014

Installation, 7” vinyl and artist book

Strange Neighbour, Fitzroy, Vic, Australia

[Assisted with speaker chandelier]

Todd Anderson-Kunert website

The situation we’re in, 2014

Installation, 7” vinyl and artist book

Strange Neighbour, Fitzroy, Vic, Australia

[Assisted with speaker chandelier]

Todd Anderson-Kunert website

The situation we’re in, 2014

Installation, 7” vinyl and artist book

Strange Neighbour, Fitzroy, Vic, Australia

[Assisted with speaker chandelier]

Todd Anderson-Kunert website

Negative Dialectics, 2011

Black silicon rubber

60cm x 30cm x 3cm

Installation view, Yautepec, Mexico City, Mexico

Negative Dialectics, 2011

Black silicon rubber

60cm x 30cm x 3cm

Installation view, Yautepec, Mexico City, Mexico

Negative Dialectics, 2011

Black silicon rubber

60cm x 30cm x 3cm

Installation view, Yautepec, Mexico City, Mexico

Synthesis (modulated sequence), 2010

Black plastic packing wrap, dissected eucalypt

Margaret Lawrence Gallery, VCA, Melbourne, Australia

Image: Sarah Mote

Will Heathcote website

Federation Square Installation, 2011

Federation Square, Melbourne, Vic, Australia

[Assisted with construction of the work]

Ryan Foote website

Federation Square Installation, 2011

Federation Square, Melbourne, Vic, Australia

[Assisted with construction of the work]

Ryan Foote website

Federation Square Installation, 2011

Federation Square, Melbourne, Vic, Australia

[Assisted with construction of the work]

Ryan Foote website

Standing Stone, 2014

Blindside, Melbourne, Australia

Image courtesy of the artist

[Assisted with elements of the work]

Catherine Evans website

Standing Stone, 2014

Blindside, Melbourne, Australia

Image courtesy of the artist

[Assisted with elements of the work]

Catherine Evans website

Standing Stone (Detail), 2014

Blindside, Melbourne, Australia

Image courtesy of the artist

[Assisted with elements of the work]

Catherine Evans website

House IV, 2015

Oil paint, pigment, compressed gallium 31GA, epoxy resin, cast acrylic, heat treated steel

From a series of work for Blackartprojects, exhibited at: Basement, Swanston St, Carlton, Melbourne, Australia

[Assisted with steel frames]

House IV, 2015 (Detail)

Oil paint, pigment, compressed gallium 31GA, epoxy resin, cast acrylic, heat treated steel

From a series of work for Blackartprojects, exhibited at: Basement, Swanston St, Carlton, Melbourne, Australia

[Assisted with steel frames]

House VI, 2015

Oil paint, pigment, compressed gallium 31GA, epoxy resin, cast acrylic, heat treated steel

From a series of work for Blackartprojects, exhibited at: Basement, Swanston St, Carlton, Melbourne, Australia

[Assisted with steel frames]

Together - Apart, 2018

Glazed earthenware, hydro-stone, acrylic paint and digital C type photographic prints.

Alternating Current Art Space, Windsor, Melbourne, Australia

Images: Clare Rae

[Assisted with plinths and install]

Together - Apart, 2018

Glazed earthenware, hydro-stone, acrylic paint and digital C type photographic prints.

Alternating Current Art Space, Windsor, Melbourne, Australia

Images: Clare Rae

[Assisted with plinths and install]

Together - Apart (Detail), 2018

Glazed earthenware, hydro-stone, acrylic paint

Alternating Current Art Space, Windsor, Melbourne, Australia

Images: Clare Rae

[Assisted with plinths and install]

Greened out, 2018

Mild steel, enamel

Victorian College of the Arts, Melbourne, Australia

Images: Lauren Dunn

[Assisted with steel sculpture]

Lauren Dunn website

Greened out, 2018

Mild steel, enamel

Victorian College of the Arts, Melbourne, Australia

Images: Lauren Dunn

[Assisted with steel sculpture]

Lauren Dunn website